The Keeper
A Memoir · Coming Soon

Pills.
Toast.
Cheese.
Jam.

The Keeper of the Mundane

A tech founder building augmented reality discovers her entire family has been living inside one, built by her Ecuadorian mother in a house in Israel.

Abue, the grandmother

I grew up in a family cult. Nobody called it that. You don’t need a compound. A kitchen will do.

Three women under one roof: a grandmother who once turned away three armed policemen in Ecuador with a fake cough and a bloodied handkerchief. A mother who built a one-woman religion from Torah, theta healing, and Pixar films. And a daughter holding a patent for augmented reality, who didn't realize until she wrote this book that she'd spent her career building the commercial version of what her mother does to people.

The Glass Castle meets The House of the Spirits, if the magic in the house got people killed.

For anyone raised by an emotionally immature mother the neighbors adored. For anyone walking on eggshells in a house that called itself blessed, grieving a mother who is still alive, or going no contact and still setting her a place in your head. I wrote it from inside the kitchen.

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The World

Three worlds under one roof. Same craft. Different purpose.

A goat that blinded a baby with the mother's gaze. A man trying to fly with the wrong feathers. Wheat that betrays the Lord. The medical system rendered as a giant monster. The book lives here.

Maternal Impression
Maternal Impression
Abue Told Me · Superstition
The Flying Man
The Flying Man
Abue Told Me · Folk
The Fugitive
The Fugitive
Abue Told Me · Manabí
God the Contractor
God the Contractor
Decode · Epistemic Abuse
Tradecraft
Tradecraft
Decode · Internalized Control
Petroleum Pig
Petroleum Pig
Mom’s Theology · Plastic
Mushrooms Feed on the Dead
Mushrooms Feed on the Dead
Mom’s Theology · Decay
The Medical Monster
The Medical Monster
Coming Soon
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The Essays

The videos are the doors. The essays are the rooms.

Long-form pieces from the book’s world: the full story behind the videos, written for readers, not algorithms.

Read the essays →

Smuggling the Queen

The Pots and the Rats

The apartment was empty, just a mattress on the floor where the living room was supposed to take shape. The balcony window flooded the room with soft morning light.

"The sun is coming from the east. That's the best direction!" My Abue was sitting on the mattress in a knee hug, her small body folded into itself like an origami bird. "Did you know that real estate prices are higher if the light comes from the east?"

I smiled. "I'm glad you like it."

The apartment was nothing to write home about, but it was safe.

I held out my hand and she took it, rising slowly. Her tiny frame was so light I could hardly feel her weight. Once standing, she started walking me around the empty place as if I were the guest. As if I hadn't chosen it myself.

"Here is the bathroom. Look inside, there’s room for the laundry." She opened doors, flipped light switches, demonstrated. "And here, have you seen your room?"

She led me down the short hallway.

"Here is my room." She said it with satisfaction, showing me the space: empty except for a dozen boxes stacked along the wall. Boxes that held a lifetime of clothes, memories, and whatever she had managed to keep.

Her room was the safe room. The mamad. Every apartment in Israel has one — reinforced concrete, a heavy steel door, built to withstand rockets.

Abue chose it immediately. Of course she did. She knew what safety looked like.

"I bought groceries," I said, leaning against the doorframe. "Do you want some eggs?"

"Bueno. I’ll make coffee."

She moved to the kitchen, just a mini fridge and an electric kettle on the counter, the essentials we’d set up days earlier so the place would be ready for her. She filled the kettle, clicked it on, and spooned instant coffee into two mugs while I searched through the boxes for a pan.

"Not that one," she said, not even looking. "The small one."

I found them: the Soltam pots, nested inside each other like secrets. Heavy-bottomed stainless steel, the kind of cookware that lasts forever if you treat it right.

"You and your pots," I said, lifting the smallest one.

"Those pots," she said, "your grandfather and I bought together. One by one. They were expensive then. You saved up for a pot like that."

I’d tried to leave them behind. She wouldn’t hear of it. And now, holding the smallest one up to the morning light, the steel gleaming, the weight feeling right in my hand. I understood.

"You were right," I said. "About the pots."

She smiled. Not an I-told-you-so smile. Just satisfaction. The quiet pleasure of being listened to, finally.

"Of course I was right," she said. "I’m always right."

The Video Series

Three women. Three reckonings. One house.

Pills, Toast, Cheese, Jam
The Seamstress
Pills, Toast, Cheese, Jam
House of Wonder
The Healer
House of Wonder
Decode
Tech Founder
Decode
Find the series on